Профессиональная терминология кинопроизводителя для работы на международном рынке. Начальный курс

Магистратура 2024/2025

Статус: Курс обязательный (Кинопроизводство)

Направление: 42.04.05. Медиакоммуникации

Кто читает: Школа иностранных языков

Где читается: Факультет креативных индустрий

Когда читается: 1-й курс, 3, 4 модуль

Формат изучения: без онлайн-курса

Охват аудитории: для своего кампуса

Преподаватели: Морозова Татьяна Александровна

Прогр. обучения: Кинопроизводство

Язык: английский

Кредиты: 3

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Abstract

Курс "Профессиональная терминология кинопроизводителя для работы на международном рынке. Продвинутый курс" предназначен для студентов, которые уже имеют базовые знания в области кинопроизводства и хотят углубить свои знания и навыки. В ходе курса студенты узнают о профессиональной терминологии, используемой в киноиндустрии, и научитесь применять ее на практике. Также получат практические навыки работы с международными партнерами и клиентами.

Learning Objectives

To sharpen students 'comprehension skills of manifold traditional and emerging (hybrid) types for media products (e.g., professional articles, reports/user- generated content)
To master essential genres and appropriate specialized registers of English
To enable students to acquire specialized vocabulary (key terminology) and a set of lexical items with the highest frequency of occurrence in various professional contexts
To develop the ability ot use essential domain-specific and conventionalized grammatical structures prevalent in the target ESP variety
To master analytical and critical thinking/writing skills/to master writing skills i n various spheres
To foster awareness of long-term patterns and relevant trends in the spheres for cinematography and film production
To improve media literacy and develop a creative approach applicable to a range of professionally relevant tasks (content creation; storytelling; film production)

Expected Learning Outcomes

uses professional terminology related to series production
understands the main concepts of creating modern series
explains the main features of national series
creates a concept of series
uses the theoretical knowledge to perform the practical tasks
uses professional terminology ina given context easily
delivers the presentation to the audience
Analyzes the stages of a filml product development
uses professional terminology in an appropriate context skillfully
creates a basic frame of a future film project
applies methods of storytelling analysis to understand different media products
applies different storytelling techniques to create his/her own one
writes a script for a part of a film, series or a documentary

Course Contents

Unit 1. Media and Society
Unit 2. Three Ps (Pre- Production; Production; Post-Production
Unit 3. 'Screenwriting: structuring a story and developing concepts'
Unit 4. 'Video storytelling methods and script creation

Assessment Elements

Final Assessment
Oral assessment
Written Assessment
vocabulary tests based on the key terminology that was covered during the lessons
Activity and presence
assessment of the attendance rate of a student and also his individual work during the course
Script Project
the student creates a script for a film/ episode of series/ documentary

Interim Assessment

2024/2025 4th module
0.1 * Activity and presence + 0.1 * Activity and presence + 0.3 * Final Assessment + 0.1 * Oral assessment + 0.1 * Oral assessment + 0.1 * Script Project + 0.1 * Written Assessment + 0.1 * Written Assessment

Bibliography

Recommended Core Bibliography

A short guide to writing about film, Corrigan, T., 2015
Action figures : men, action films, and contemporary adventure narratives, Gallagher, M., 2006
Art of the cut : conversations with film and TV editors, Hullfish, S., 2017
Barry Keith Grant, Jeannette Sloniowski, Documenting the Documentary : Close Readings of Documentary Film and Video (Wayne State University Press, 2013).
Belodubrovskaya, M. (2017). Not According to Plan : Filmmaking Under Stalin. Cornell University Press.
Birgit Beumers. (1999). Cinemarket, or the Russian Film Industry in “Mission Possible.” Europe-Asia Studies, 5, 871. https://doi.org/10.1080/09668139998750
Burton, G. (2010). Media and Society : Critical Perspectives (Vol. 2nd ed). Maidenhead: McGraw-Hill Education. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=466475
Engaging cinema : an introduction to film studies, Nichols, B., 2010
Hassler-Forest, D., & Guynes, S. A. (2017). Star Wars and the History of Transmedia Storytelling. Amsterdam: Amsterdam University Press. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=1701493
Higueras-Ruiz, M.-J., Gómez-Pérez, F.-J., & Alberich-Pascual, J. (2018). Historical Review and Contemporary Characterization of Showrunner as Professional Profile in TV Series Production: Traits, Skills, Competences, and Style. Communication & Society, 31(1), 91–106. https://doi.org/10.15581/003.31.1.91-106
Introduction to film studies, , 2012
Inventing film studies, , 2008
LaGarde, Jennifer, and Darren Hudgins. Fact Vs. Fiction : Teaching Critical Thinking Skills in the Age of Fake News, International Society for Technology in Education, 2018. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/hselibrary-ebooks/detail.action?docID=5880820.
Page, R. E., & Thomas, B. (2011). New Narratives : Stories and Storytelling in the Digital Age. Lincoln: University of Nebraska Press. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=477164
Proferes, N. T. (2018). Film Directing Fundamentals : See Your Film Before Shooting (Vol. Fourth edition). New York: Routledge. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=1549916
Puzzle films : complex storytelling in contemporary cinema, , 2009
Storytelling techniques for digital filmmakers : plot structure, camera movement, lens selection,..., Hockrow, B., 2014
The complete film production handbook, Honthaner, E. L., 2010
The producer's business handbook : the roadmap for the balanced film producer, Lee, J. J., 2011
Understanding media cultures : social theory and mass communication, Stevenson, N., 2002
Visual storytelling : inspiring a new visual language, , 2011

Recommended Additional Bibliography

An introduction to new media and cybercultures, Nayar, P. K., 2010
Beyond fake news : finding the truth in a world of misinformation, McBrayer, J. P., 2021
Ethics and media culture : practices and representations, , 2000
Media literacy and fake news consumption in Bangladesh: the main tendencies and trends (2012-2022) : автореф. дис. ... канд. филол. наук : 5.9.9, Hossain, B., 2024

Authors

MOROZOVA TATYANA ALEKSANDROVNA
Khomutskii KONSTANTIN IGOREVICH

Course Syllabus