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Обычная версия сайта
2025/2026

Профессиональная терминология кинопроизводителя. Углубленный курс

Статус: Маго-лего
Когда читается: 1 модуль
Охват аудитории: для своего кампуса
Язык: английский
Кредиты: 3
Контактные часы: 14

Course Syllabus

Abstract

The "Advanced Course in Professional Terminology for Film Producers in International Markets" offers an in-depth exploration of specialized terminology essential for professionals working in the global film industry. As the film market becomes increasingly interconnected, proficiency in industry-specific language is crucial for effective communication and collaboration across borders.
Learning Objectives

Learning Objectives

  • To enable students to acquire specialized vocabulary (key terminology) and a set of lexical items with the highest frequency of occurrence in various professional contexts: script writing, directing, producing, etc.
  • To master analytical and critical thinking/writing skills/to master writing skills in various stages of film production (pre-production, production, and post-producation)
  • To upgrade skills related to the solution of diverse professionally oriented tasks both individually and in teams
  • To improve media literacy and develop a creative approach applicable to a range of professionally relevant tasks (content creation; storytelling; film production)
  • To master presentation skills related to the film production process: pitching, negotiations, case study discussions
Expected Learning Outcomes

Expected Learning Outcomes

  • to articulate clear objectives and constraints for a film project, balancing artistic intent with budget, schedule, and distribution needs.
  • to identify and explain key negotiation terms and clauses commonly found in film contracts, including rights, credits, and revenue sharing.
  • to prepare and present a negotiation brief that outlines goals, concessions, and alternative proposals for potential partners or co-producers.
  • to engage in practice negotiations using appropriate language patterns, terminology, and polite, professional nonverbal cues to maintain collaborative rapport.
  • to assess cultural and organizational dynamics affecting negotiations in international co-productions, and adapt strategies accordingly.
Course Contents

Course Contents

  • Unit 4. ‘Music in Films’
  • Unit 5. Negotiations in Film Production
Assessment Elements

Assessment Elements

  • non-blocking Classroom Written Assessment
  • non-blocking Classroom Oral Assessment
  • non-blocking Home Assignment
  • non-blocking Final Assessment
Interim Assessment

Interim Assessment

  • 2025/2026 1st module
    0.25 * Classroom Oral Assessment + 0.25 * Classroom Written Assessment + 0.3 * Final Assessment + 0.2 * Home Assignment
Bibliography

Bibliography

Recommended Core Bibliography

  • Communication in everyday life : the basic course edition with public speaking, Duck, S., 2015
  • Cury, I. (2017). Directing and Producing for Television : A Format Approach (Vol. 5th edition). New York: Routledge. Retrieved from http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edsebk&AN=1486805
  • English for business communication : a short course consisting of five modules: Cultural diversity and socialising, Telephoning, Presentations, Meetings and Negotiations: student's book, Sweeney, S., 1997
  • English for international negotiations : a cross-cultural case study approach, Rodgers, D., 2001
  • Voices, identities, negotiations, and conflicts: writing academic across cultures, , 2011

Authors

  • Созинова Мария Михайловна
  • Khomutskii Konstantin Igorevich